northern songs in a southern style - fab guiro!
welcome to fab guiro! - the album title is a combination of both the popular british phrase fab gear referring to all cool music & lifestyle aspects and issues surrounding the band and also stresses the relation to the percussion instrument guiro that is an integral instrument, sound and necessity in latin, salsa and especially traditional cuban music. fab guiro! is beat music in a fascinating, exotic robe, a drum roll of liverpudlian song pearls the songs of the beatles on fab guiro! do actually sound like copacabana, cuba and kingston - but always like the english harbour town in the summer - northern song in a southern style are indeed warm songs, fab guiro! simply means lots of fun, entertainment and thus celebrates our heroes.

big with hawtin & hell! next sure dancefloor bomb! after the successful release of karolin mueller and goldfish & der dulz, suchtreflex welcomes edu imbernon to their label roster. edu is a young spanish producer nowadays based in berlin and is probably one of the most promising upcoming producers in the scene right now. after his previous groundbreaking hit release on liebe detail, its time for him to release this percussive tech house summertune on suchtreflex. includes superb remixes by suchtreflex-veteran amir (8bit, trapez) and by the label owners piemont (mbf, hi freaks). the sound of the season!

the 2nd ep vinyl preview of the highly anticipated italoboyz full length bla bl bla (out in september) on mothership. not everyone is aware that both marco and fede migrated north to london from italy several years ago. this move has influenced their sound, hence the where is london? ep this ep also marks the start of their new live instrumentation work. where is london draws its title from a big ben sample put in reverse, but it also features experimental live piano work (piano strings struck with paper mallets) re-twisted into their addictive drum patterns. on the other side, lanagramme features salvador dalis voice and the interesting dual piano work of their good friend angelo. italoboyz are always pushing the boundaries and testing the limits of traditional dance-floor music and this is no exception.

all three tracks work clearly for the dancefloor and boost a swift, modern tech-sound with glitchy influences

excentric off-shoot rekluse has had a great start so far with carl cox, hell, slam, laurent garnier, james lavelle, technasia, stacey pullen andanderson noise all regularly supporting the label. the previous 4 releases have shown the labels sound to be developing rather nicely with a consistent ear for high production quality alongside a drive for exciting and unconventional electronic music for the dancefloor.the 5th release for the label is supplied by loco & jam, 2 guys who have been really making a name for hemselves in 2009, already with a release on >italo business< under their belts and their remix of henry von s propaganda that has made it s way onto carl coxs >space 2009< compilation. with forthcoming releases penned for >hedgehog< and for umeks >sixteenofive< imprint these guys from limavady, northern ireland are definitely ones to watch out for. >medusa< has been fergie & mr henry von s secret weapon since they first got hold of it, never failing to completely destroy any club that has had it pumped through its soundsystem, as well as support from king unique & the japanese popstars who have been behind it since day one. the a sideis backed with 2 seriously strong cuts that show l&js ability in the studio to take things up a notch (whats the matter) or to twist things up somewhat(virus).

part 1 of magik johnsons 2005 album!

nite:life 013 lands in the very capable hands of jamie anderson, a pioneer of the jazz and funk influenced tech-house that has picked up an army of fans across the globe!!

some 2003 proggy stuff by pete heller!1 taken from the nrk mix cd!!

a collection of previously unreleased tracks from some of the world most exciting artists. we believe this is the pure sound of the summer 2009.

dj rubbish samples any sound he gets and spits out any rant that comes to mind for just one reason - because he can! interludes proudly brought to you by project brothers.

a 2004 selection by tom stephan aka superchumbo!! more tribal/techy stuff going on here!!

marco petralia: his sound is deep, dirty and twisted – his dj sets are energetic and impulsive! as bigcitybeats resident he played already side by side with international dj stars like george morel, roger sanchez, steve angello or mark knight and further is responsible for mixing the very popular bigcitybeats compilations which hit the top ten of the german compilations charts each time they are released. marco can refer to a row of successful releases on labels like open bar music, miss moneypennys and of course bigcitybeats. the baggi begovic remix of his last single >getting deep< got massive support from roger sanchez! without exaggeration you can call >breaking all the rules< marcos best release so far featuring stunning vocals by the young and beautiful us singer taleen marie and a bunch of rocking remixes from superstar d.o.n.s, uprising newcomer cold n what, abel riballo & dj kds and robert heart & christian gimbel.

a ton of steel and pipes used as instruments? à driving steel beats, accompanied by synthesizer sounds and experimental industrial samples create the sound of pale musics premiere release >phsychomania<. for sure this record, presented by matt eno and steve morell, head of pale music, is no easy listening. five bands / projects come together on this sampler, all of them top name current level of electronic and industrial music. from time to time the music appears to be dark and eerie. guest vocalists include luna di morph and rosa lee riza.

first seconds into already 27th release on recognition, and we immediately know that there is serious business going on here. stunningly complex drum track goes like clockwork, only setting the scene for what is to come. forget the craft of drum programming - we are talking another dimension here. >modern dance< is like being suddenly dropped into suspended animation: having that peculiar feeling that the world around is accelerating to the verge of a seizure - and at the same time this very world feels so slow... unnamable, transparent sheets of sound almost give no room to breathe - but ones breath is taken away by the magnificent landscape it s about to appear. shapes shift under half-closed eyelids, and while the low, peaceful yet sad chant comes in, one can feel it like an omnipresent breath, burning hot and marble cold at the same time. this mysterious and heart-wrenching voice comes courtesy of one yula, and were gonna surealy hear much more from her in the future. and it seems that the beats literally start to boil... rhythms shuffle and swing, and taken the lack of floating melodies abundant in jaceks earlier output this track is even more outstanding from theproducers former work - probably acting as a bridge towards new visions, appearing in the confidence of the new, almost-perfect studio.

the new, first time ever on vinyl 2lp reissue of a long way around to a shortcut is somehow a greatest hits of the golden not quite decade of sic alps. well, not quite golden, either. can gold be tarnished? can it be done on purpose? if so, sic alps are artisans of the highest order - for their music is the bright, surging sound of ye olde rock & roll radio (and the garages that tuned in) heard through air darkened with specks of nameless obstruction. in and amongst their ingrown sounds, sic alps take on classic tunes from strapping field hands, throbbing gristle and the zipps on a long way around to a shortcut. it is to their credit that they completely absorb their estimated predecessors and create the only sound left to them: the sound of the sic alps. a long way around to a shortcut was issued as a cd in 2008. it collected songs that were first issued throughout the epic years of 2006 and 2007 on two 12inch eps, three 7inch singles and a cassette, plus a song from a compilation cd r and a song exclusive to this compilation. the records were originally given titles like united, strawberry guillotine, semi streets, hip hop sweepers vol 1, teenage alps, and the soft tour in rough form, but all these original releases are long gone.

moleculez returns to meta4 ready to clear dancefloors with some of his most destructive material to date. you know you are dealing with some serious dance music when none of the tracks on a release have vocal samples. the opening track, future in progress, is blessed with a wonderfully deep kickdrum that would probably even sound good at plus20, although we havent tried that yet. out of a nowhere the track suddenly seems to have stopped when an eerie melody creeps out of the dark. this sets the tone for the rest of the release: dark, driving and threatening. gargoyle is the most driving. lava bomb the eeriest: and future in progress the most threatening. thats what we think, anyway. you decide. the last two tracks on this release are probotector and the haunted. the first is actual textbook honest to goodness industrial hardcore while the latter isnt really anything we can talk about here. highly recommended because we want to sell records

christian hilscher and nico plagemann - three minutes before the start: three double signals are flashing at the starting lights. the pilots are strapped into their cockpits with pinpoint accuracy. windows down, elbow out. the sound system is at the limit, the golden chevrolet is shimmering û a real feast for both the audiences eyes and ears. one minute before the start: the motors start roaring. now only two double lights are flashing at the starting lights. adjust your sunglasses. put in the first gear. the bass is vibrating. 15 seconds before the start: only one double light is flashing. now, the kollektiv is on its own. the last bit is tickled out of the sound system. behind the car, a marshal is waving a yellow flag when suddenly the windows start vibrating with the bass. the speed range is signal-red. start: the last double signal of the starting lights goes out, and for the charming guys from hamburg, five green lights are going on: the start. the pulse rate is rising up to 110. its the point of no return - the race is on..

trademark is the collaboration of tony reeves and tundra records labelmate loki. formed in 2000, the trademark project blends electronic studio craft with the live influence of their years playing jazz. trademarks output ranges from chillout through breakbeat to deep house and even drum and bass, but always with the fusion of deep jazzy chords, rolling beats and searing synths that define their style. this year sees the pair return to their roots with some deep, tech-house grooves for the discerning clubber.
ia stands for 4/4 beats and the label starts with a bang with three great and quite different 4/4 tracks for many deep and tech floors, and tropic of capricorn for more chilled moments. elevator is crisp deep/tech house which slowly builds and just rocks! with a wicked solid deep bassline too that keeps things really groovy. jack o diamonds also has that clean crisp sound and groovy bass with synth stabs and lots of funk for loads of different dancefloors. its a bit more upbeat than elevator and also has wicked deep bass to keep peeps movin! saturn 5 is deeper, darker, subtle and just a massive deep phat sound which is totally awesome on any decent system, wonderful deep textures and pads - just really lush. tropic of capricorn is a deep detroity broken beat track that compliments the others. crisp production again and not too cluttered, it does what it needs to and works in many different situations.

thanks to the blinding fabric live mix and a series of highly entertaining interviews the demand for new omar-s product is now at an all time high. hes on top form here with three fresh cuts representing his sound to the fullest. opening track flying blind is a must have for fans of the deeper omar s tracks like psychotic photosynthesis. following that up is still serious nic which is probably my favourite track on the record, its got that heavily monged out raw omar-s machine vibe to it. things straighten out a bit on the b-side thanks to the smoothed out vocal house of left him up. then it finishes off with the deep house of flying gorgars. once again omar-s proves hes too steps ahead of the deep house pack. essential

after the success of their collaboration with paul thomas on last years festival anthem >arena<, mark knight and funkagenda join forces once again on one of the most eagerly anticipated tracks showcased at this years miami wmc.
>good times< is the feel good anthem of the summer comprising of a modest intro with a warbling bass line driving slowly through collecting sounds, before opening up into an edgy synth stab and finally the insanely catchy vocal hook >these are the good times<! the track drops back in like a speeding locomotive train going full steam ahead, with cleverly placed percussion, fx and siren sounds soaring to create an intense rhythm.
on the flip, >flauta magica< shows the diversity of these two acclaimed producers when they get in the studio together. taking a different route from the lead track and concentrating more on the groove, >flauta magica< chugs along nicely with an almost tribal percussive feel to it. the excellent chanting vox sample, reminiscent of the early house sound, keeps the groove rolling along into the drop. taking the lead from the tracks name, a whistling flute riff drops elevating the musical vibe to a new balearic level.

slam bring us the third chapter in their devestating paragraph series, following up their dancefloor destroyer, hot knives that was played by the biggest djs around and dubbed as one of carl craig s favourites of the last few months. the label s previous releases have already had big support from the rest of the techno fraternity, including legends richie hawtin, adam beyer, dubfire, anja schneider, len faki and francois kevorkian.
paragraph number 3 delivers some deep, bass-heavy electronic funk on the a-side, with one note samba . grooving from the off-set, the percussive elements of the track wind around a solid and heavy sub bass, introducing dubbed-out horns reminiscent of slam s freelance science days. hypnotic and tripped out, slam return to their house roots.
on the aa room 2 , dedicated to one of the world s best clubs, fabric, where slam hold a residency, keeps with the stripped-down, rhythmic and gritty sound of paragraph. whilst constantly fluctuating echoes and delays control the rhythm of the track, a swirling, yet straight to the point synth creates some frenzied and panic-inducing builds throughout, leading to a wholesome and satisfying ride cymbal. room 2 is a killer, peak-time track that will be sure to induce some serious convulsions on dance-floor.

collaboration has become a cornerstone for motech. maintaining its diverse sound requires diverse collaborations. the sound that emerges on >midnight express< is no exception. combining the ever evolving sound of dj 3000 and the synth mastery of esteban adame (galaxy 2 galaxy, los hermanos, ican w/santiago salazar). this new 12 inch is a driving exploration of where the sound of detroit is going. joined together are the ethno-percussive elements instrumental to shaping the motech sound, as well as a dance floor driven synth pattern that beckons your inner desire to move.

the new series for raw no-nonsens techno and house tracks. some straight up techno... some edgy, exciting and fresh, sometimes just plain functional dj tools. first one is mike dehnert with his solid umlaut track that was overlooked by many when it was released on his own fachwerk imprint. mike is one of the big talents with his own trademark sound.. something we don t hear to often! 3 unreleased verions of umlaut2... mikes first unreleased mix, slightly housier then the first one, the umlaut2 new version which is a straigth up club tool. big surprise here is the remix by levon vincent! a new talent from new york that got his name on the map after 3 incredible releases on his own novel sounds and deconstruct labels. he did a more then excellent job with his dirty and housier version. levon did lay down a crazy groove with an old fashioned hook line (very n.y. house) and mold it into a fierce techno track. fresh and completely different then most techno out there these days.

amp is a bag inspired by the typical guitar amplifiers, most of which, have come to define the sound of major or more underground rock bands. we pay homage to this legendary machine, by using its image for synch’s largest bag. the bag has an easily removable internal shell, that protects the content, giving it at the same time the appearance of a real amplifier. at the back of the bag you can find a big pocket, extremely practical for immediate use. the amp bag can be used as shoulder bag or as backpack.type: backpack & shoulder bag dimensions: 39 x 14 x 31 cm material: printed pvc extra: large external pocket, removable internal rigid body

determined to write a new chapter in nycs long history of dance music, marcos cabral and jacques renault (think dfa, rekids, im a cliche, wurst edits, chinatown, editions disco, rvng, trapez, and more) have decided to launch their own record label on the prowl. with a heavy nod to american classic house, techno, and disco, otp listeners should expect a variety of sound that will propel them to dance for years to come. the first otp instalment entitled the poltergeist throws a heavy blow of dark acid bass, todd terry-esque stabs, and proper dubbed out distortion for a feeling that will leave listeners floored... leaving even the most stubborn of listeners open for more. house music, raw and unrestricted. the b-side, not to be overshadowed, brings us dont block the box. an a-side in its own right, delivering us good old fashioned house music with hypnotically filtered samples and pulsing arms in the air swells of resonance.

nice price deal !!! from the deep dark cold depths of melbourne down and out disco suburbia comes the long-long awaited debut release from serial hitmaker, synth wiz, coffee addict and all rounddudebabe, gloves. fresh, from the titanic sinking of his former musical yacht, damn arms, and off the back of remixes for the likes of cut copy, vanshe, sneaky sound system, the deathset, the scare and ted & francis, gloves sails bright into the dance horizon with his first 2-track original release on banggang12s.

is it balearic return with the seventh release on their acclaimed label ! is it balearic..? recordings present the deadstock 33s - a very >spicy< journey into wide screen space dub from the mind of justin robertson. >drifting on a wave< is a lush sweeping electro dub soundtrack from the master of dapper balearia ! despite perhaps being more well known for his heavy weight club sets, justin was instrumental in establishing the deep roots of manchesters balearic scene, along with aficionados moonboots and jason boardman. his spice night was a legendary event in the north of england and added a distinctly english spin to the balearic blueprint. celebrated underground edit maestros main stem tackle the remix, creating a beautiful epic balearo-dub soundscape which already sounds like an adriatic classic finally >echo sound< wraps it all up in a slow motion cosmic disco fashion, with more than a little italo swagger, twisted in all the right places. is it balearic…?-oh yeah

taking influence from their 80s childhoods of the bulky futuristic, story tapes are a four piece live electronic band. written, recorded and produced entirely in north london by the band this industrial yet tender sound blurs the distinction between the played and synthesized.

lasergun #006 from 2000 comes with high energy ural 13 diktators sound. these guys from finland got some serious lasers at hand - pew pew! limited backstock.

almost two years after his highly acclaimed debut, fabian bussmann is back with a release on debox. and the waiting was worthwhile! sometimes i m invisible is a remarkable piece of work and shows a recognizable advancement in fabians production skills. >or else< on the a- side is predestinated to be played on a big sound system: dark, athmospeheric, reverberated with lots of freaky delays and effects and equipped with a powerful bassline the track creates a tension that will surely massively discharge on the dancefloors this summer. the remix on the b- side was created by bastian buesser who recently attracted a lot of attention with his releases on debox and endlich elektro. buessers interpretation of the track is a deeper, more playful approach of the theme. without touching the basic structure of the track he constructs a more relaxed, athomospheric vibe, taking back the tempo and adding a new bassline to the adaption. the title track >sometimes i m invisible< clearly distinguishes from the the a- side and presents a different side of fabians work coming along with a groovy bassline and lots of percussive elements.

with 2 solid eps already under their belt on new yorks satamile records, middle men (sum1 & sum1else) bring their 3rd long awaited ep to battle trax. containing 4 cuts of the purest space funk in their own distinct style, middle men are pushing the elektrotek sound into new areas as yet unexplored by human beings. this year will also see the release of another middle men track space quest which is due for release in july on germanys dominance electricity label.

mountains is brendon anderegg and koen holtkamp, friends since their middle school days. they began exchanging musical ideas and compositions which led to them founding the apestaartje label in 1999. as their collaborations and individual projects blossomed, they decided to create mountains as a vehicle for live performance. a love of sculpting sound in front of an audience is at the heart of mountains. the groupÆs third album, æchoralÆ (their first self-titled release and second album æsewnÆ were both on apestaartje), is the culmination of their work to date and a balanced mix of the first two efforts. mountains are often compared to artists such as brian eno and fennesz, citing their extended melodies and their unique broad guitar work. mountains seamlessly blend pastoral electronic sounds with both field recordings and a plethora of acoustic instruments.the effect is incredibly sublime and hypnotic as the sounds slowly wrap themselves around each other and alter themselves in the mind of the listener. includes free download voucher.

rhythm of elements consists of internationally renowned pianist makoto kuriya and japanese club scene pioneer/dj uchikawa. together they combine exquisite musicianship with the deepest club beats to create a unique hybrid musical tracks for electronic dancefloors. praia is taken from the forthcoming debut album evolution, (coming out september 09) and features the beautiful scat vocals of yu ka ueda flowing over an electronic jazz groove. add to that the virtuoso keyboard playing of makoto kuriya and live guitar from kazuhiko obata and you have a serious electro-jazz workout! if that isnt enough, the flipside sees karizma take the reigns as he gives the track his trademark stomp mix treatment, roughing up the smoothness and building up to a heavy drop, as only he knows how. the e.p. also contains the delicious album cut airport, an atmospheric and mellow groove sprinkled with beautiful keys and riding between the club and live vibe that signifies the rhythm of elements sound

record stereo audio directly to your ipod with protrack. capture live sound on your ipod anywhere and anytime without a single cable, and with one hand free! just dock your ipod and cover it with the protective clear shield, and you re ready to roll. you can record detailed, 16-bit, 44.1khz or 22khz stereo digital audio without connecting any additional equipment using protrack s onboard pair of cardioid condenser microphones. the on-board mics are fixed in xy configuration for optimal stereo imaging. protrack also has a pair of combo xlr-1/4 inputs enabling you to connect any professional sound source, including condenser and dynamic microphones and mixer outputs. whether you are running on plug-in or battery power, protrack supplies 48v phantom power to its inputs for operation with external condenser microphones

heres the greatly expected album from edbangers wizard krazy baldhead. in 2009, krazy baldhead gives us his first album, >the b-suite<, four movements and 49minutes of music. we find tes again on a track, and outlines on the single >sweet night<. more than ever, krazy baldhead proves that ed banger records isnt only the label of a sound, butwell and truly the label of an era, is it an electro album? a hip hop album? up to you to estimate.

sampler release extract from the forthcoming compilation from because and edbanger, introducing the nouvelle garde from the edbanger sound... all new talents that the famous label itself consider as their legitimate offsprings... over the past two years, other young producers eager to transcend the genres have been working in the shadows, preparing a new electronic revolution. who are they, and what does todays music sound like? thats what the dum-edges project is attempting to uncover, with a compilation and a live tour.

the success of narkotik recordz has prompted label owner dj narkotik to setup his sublabel to release some of the incredible tracks artists have been sending to him that were not quite right for the speed and intensity on the main label. bringing the tempo down but still maintaining its hard edge sound. with tracks from raw & uncut, paranoizer & earfist its gonna be a quick seller for sure!

hot on the heels of their successful release on speedfreaks label absurd audio. tugie & autopsy prove the uk hardcore sound is going from strength to strength. an awesome 4 tracker by the 2 men behind the label!

uplifting hammer-piano sound driven lexy electronic indie club tune with two stunning deep mixes

steve angello returns to his own size records, only this time accompanied by his brother, an21. flonko is a massive, klezmer style track that has been bubbling under for some time and is now here! essential new tune on pete tongs essential selection already, the sound of a gypsy summer is here. still staying true to steves recent tech sound, the underbelly of this track is tough and dark lifted but the klezmer melody. an absolute essential summer track!

daniel munkelberg has come to the attention of record labels across germany, with his experimental minimal-techno sound. this ep kicks off with an epic j alexander remix, together with ronald christoph on co-production duties. friends electric records head man j alexanderÆs remix massively beefs up the original track ôdigamö adding one of the most hypnotic synth lines you are ever likely to hear, layer upon layer ofá oberheim synths and 909 percussion combine with the quirky samples from the original to create a instant techno classic. other tracks on the ep include a darker, but dance floor friendly journey into minimalism with a san miguel remix and another daniel mukelberg original named musteki

another legendary techno producers deliver the goods on be as one. this time is swedens own samuel l session with 2 singles straight out of his upcoming first ever artist album, soon to be released on the israeli label. big bad drum is exactly what the title says, a drums driven track with a bassline reminiscent of saundersons e-dancer techno. already tested by a few lucky ones, this tune is having a monster impact on the dancefloors with its funky snares and distinctive over voice . chimes still carries an old school vibe, taking a classical and deeper approach. sls sound at its best, reminds us why the don has been here for the last 15 years. a solid preview of what to expect from samuels album, classical groovy techno which reminds us how real techno is suposed to sounds like. forthcoming on be as one in october.

from belfast to detroit is next, with the legendary carl craig picking up deeper shades of black through hearing it on myspace, for his new planet e sub-label guilty pleasures for a release in june. psycatron tunes have been supported by some of the finest djs in the world, from deep dish to sasha. independent in his own right - paul has presented the respected bbc radio show across the line for the past 5 years. for the past six years paul in concert with phil johnston held one of the most prestigious residencies in ireland at the world famous shine in belfast, as well as it s sister club the stiff kitten. psycatron has also guested around ireland, the uk and europe at the likes of excentric (ibiza), excentric (perth), acii disco (dublin), deep fried funk (derry) and others. psycatron remixes constructed in the past year for excentric and the ep for fergie s imprint rekluse are massive with getting the support of everyone from carl cox to stacey pullen. psycatron s new material showcases a tougher techno-orientated sound

the make up the break up is the first release on bruno pronsatos own thesongsays label. its the longest track in his catalog (38 minutes), and an even deeper excursion into his stylized harmony. this track was originally a track uncompleted while making, æwhy cant we be like us. revisiting it roughly a year ago, bruno began to reword it. what began as simple attempt to create an ep track out of it became a monster. what monster you ask? in a few words, the monster that is brunos love of musicality and sound design. muscially speaking, we are on a ride somewhere between a slithery house track and a drugged out night out in chelsea, new york in the 60s - and thats a good thing because we get the entirety of the ride: the ups, the downs, the clouded mentality, the broken heart and perhaps the mended one. its happy, its sad - its something that you can dance to, but most importantly, its music that we think you can revisit for many years, as it somehow reflects us, our lives. a playful and extended journey through love and disaster, or at least the soundtrack to it.

supported by: richie hawtin, dubfire, gabriel ananda, alexi delano, livio & roby ...
plaupez >l ame d un singe< is the 1st release from alma soul music. this ep has a mixture of music styles wich include deep, tech & minimal house. plaupez original mix is certainly a good example of the genre variety, its house base blends into a tech atmosphere with a futurist melody. jon gurd s version is ideal for a late night mainfloor, with powerful basses and energic percussions. vasco inspirian offers his particular sound wich has a very noticing detroit influence and licuadora system s remix minimalizes the track with his frenetic minimal- house version. all four tracks are composed by very talented artists and the result is ready to rock any dance floor!

minimono comes back on bosconi with a pure chicago monster house record! an eclectic three tracker ep melting all influences from filter house to techno and disco..something in between sneak and derrick carter sound with more of an electronic funky appeal as minimono has always used to.. summertime vibes just to let you wonder!

the disco builders is a new san francisco band produced by tal m. klein featuring the voice of hillary hightower. the bands sound celebrates the roland alpha juno 1 keyboard, a mainstay of the postorchestral disco sound.

you might remember collen & webb who from one of the early gamm releases (the jamaican jerk off). the boys are now back with two hot reworks on soul diva pauline?s hit single ?give me a call?. for fans of the soulful philly sound we recommend the ?soulful smash? version which rides on the o?jays ?back stabbers? sample. but if u?r into the amy winehouse sound u definitely need to check the ?northern smash? version with its jazzy loops and fierce rhythms. btw, watch out for more collen & webb action on gamm later this year...they got sum hot motown stuff in their trunks!

system of survival are back on their consistent ianus71 with courtneys dawn ep: >dharla< is modern driving tech-house, evolving thrillingly to an ecstatic pace. >courtneys dawn< builds up a muscular tension pushing to the dance and arresting the senses in emotional bliss. >chicken clucks< ranges freely through grooves revealing once for all the funkiest of the birds! solid and flawless ... physical and hypnotic ... the sound of now and the vision of then ... this is a miracle of an ep!